Tuesday, June 11, 2013

Everyone Hates the Second Half of 'Full Metal Jacket' (But it's Actually Superior to the First)

Now, we've all at one point or another watched one of Stanley Kubrick's best films he ever made in his career: Full Metal Jacket. Well...the first half anyway...right?

Well, that's the consensus. Everyone praises the first half for being funny, dramatic and a staple in war films...despite not being in the war yet...However, as much as I enjoy the first half, (and trust me, I certainly do.) the second half is the better of the two.

Blasphemy! You shout incoherently at the computer scream, hoping I somehow manage to hear it. Well, no sir you are quite wrong. While the first half is very captivating, funny and has one hell of an ending; it's by no means a 'great piece of filmmaking'. Outside of its realism, (well, until Private Pyle goes apeshit and unloads on Sgt. Hartman...) it's just a regular film. Hell, it could pass as a comedy for all I care...again...until that ending, of course.

The second half, however, is a realistic, gritty and at-times unsettling look on war. The message, themes and tone of the second half; hell, even some of the humour, is superior to the first act.

From the opening shot of a Vietnamese prostitute hitting on Pvt. Joker and Rafter Man accompanied by These Boots Are Made for Walkin' by Nancy Sinatra to the final shot of the now-dehumanised soldiers marching to The Mickey Mouse Clubhouse March is a great piece of war cinema.

So, suck it FML first-halfers!

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